Samuel Thomas: New Beginnings Exhibition Catalogue
Exhibition Catalogue now available in RiverBrink Gift Shop.
This exhibition catalogue brings together recent work by celebrated Haudenosaunee artist Samuel Thomas, alongside selections from his previous body of work. Framed as a statement of renewed purpose and a fresh start, the exhibition explores themes of continuity and innovation, community collaboration, and Indigenous storytelling. Art works in the exhibition highlight the artist’s transition from traditional beading to a contemporary art practice.
Samuel Thomas was a member of the Lower Cayuga Band of the Iroquois Nation. He lived in Niagara Falls, Ontario. For over forty years, Sam worked to resurrect beadwork styles from the 18th and 19th centuries. He recovered several “lost” techniques, and in the process, garnered international respect for Iroquois beadwork. He is largely self-taught, informed by extensive study of museum/collector pieces, books and illustrations. Thomas received additional training with tanner Juliette Meness-Ferguson, beadworker Faith DuBuc, and Royal Ontario Museum curator Dr. Trudy Nicks. Sam’s work can be found in the permanent collections of the British Museum, the Canadian Museum of History, the National Gallery of Canada, the Royal Ontario Museum and the Smithsonian Institution, along with museum, gallery and private collections in the Netherlands, Germany and Australia.
We would like to acknowledge funding support from the Ontario Arts Council and the Government of Ontario.
Generously sponsored by the Radlett Foundation.
Samuel Thomas was a member of the Lower Cayuga Band of the Iroquois Nation. He lived in Niagara Falls, Ontario. For over forty years, Sam worked to resurrect beadwork styles from the 18th and 19th centuries. He recovered several “lost” techniques, and in the process, garnered international respect for Iroquois beadwork. He is largely self-taught, informed by extensive study of museum/collector pieces, books and illustrations. Thomas received additional training with tanner Juliette Meness-Ferguson, beadworker Faith DuBuc, and Royal Ontario Museum curator Dr. Trudy Nicks. Sam’s work can be found in the permanent collections of the British Museum, the Canadian Museum of History, the National Gallery of Canada, the Royal Ontario Museum and the Smithsonian Institution, along with museum, gallery and private collections in the Netherlands, Germany and Australia.
We would like to acknowledge funding support from the Ontario Arts Council and the Government of Ontario.
Generously sponsored by the Radlett Foundation.